Harmonic Exciter Plugins VST, AU, AAX DAW music production AAX, AudioUnit, and VST exciter plugins that apply a smooth harmonic enhancement, exciter, and valve coloration effects to audio tracks. Harmonic enhancement for the sound is like spices for the food: it can be best used to add pleasant grit and subtle brilliance to the sound.

Virtual Bandoneon VST VST3 Audio Unit 32/64 bit

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Virtual Accordion, Concertina, Bandoneon, Harmonica and Melodica

Akkordicais a virtual accordion, concertina, bandoneon, harmonica and melodica instrument that covers a wide range of sounds and combines a traditional hand-held bellows-driven performance and modern digital functionality. This squeeze box and free reed wind instrument is suitable for different musical styles, be it traditional, popular or classical. Available as plugin in VST 32 bit and 64 bit and VST3 64 bit versions for Windows as well as in Audio Unit, VST and VST3 for macOS. Also in EXS24 and KONTAKT Sample Libraries.

Vst plugins aria. The Bandoneon is a free reed instrument that is renowned for the beauty of its sound, and for its remarkable expressive range and flexibility. It was developed in Germany during the 19th century but found its home in Argentina where it became the distinctive voice and soul of the tango: in the words of the poet Homero Manzi “My whole life, brother bandoneon, is concealed within your keyboard”.

Features

• Mode Selector to change between the following instruments:

Bandoneons (or bandonions) are bellows driven free reed instruments – squeezeboxes – that were developed in Germany from the middle of the nineteenth century. Like concertinas, bandoneons have buttons rather than piano keys, and the bass buttons play single notes rather than chords as on some accordions. The name bandonion is believed to derive from a Heinrich Band who marketed the original instruments. The spelling “bandoneon” with an “e” comes from the Spanish and French versions of the word.

The tango bandoneon is a 71 button (142 voice) bisonoric instrument with two reeds per note tuned in octaves. The keyboards are a development of the 65 button layout known as “Rheinische Lage” that was in use in germany in the late nineteenth century; the extra six buttons were added to meet the requirements of tango musicians. The core of the layout is similar to the Anglo or German concertina. The tango bandoneon has a chromatic range of just under five octaves from the C two octaves below middle C. These instruments were exported in large numbers from Germany to Argentina and Uruguay from 1911 onwards and became the essential voice of the tango.

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