Vst Plugin Vocal
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Emvoice One Is A FREE Vocal Synthesizer VST Plugin By Tomislav Zlatic on November 12, 2019 News Emvoice has released Emvoice One, a freeware female vocal VST and AU plugin for any compatible digital audio workstation on PC and Mac. Emvoice One is a free vocal VST plugin. Posted in Mac Music production Vst VST Plugins Audio Damage – AD046 Quanta 1.2.0 VSTi, VSTi3, AAX, AUi WIN.OSX.LINUX x64 leaguer December 14, 2020 Leave a Comment on Audio Damage – AD046 Quanta 1.2.0 VSTi, VSTi3, AAX, AUi WIN.OSX.LINUX x64.
Getting the vocals right in a mix is kind of everything. Even if everything else isn’t perfect, if you nail the vocals, you’re still doing ok and the artist will be reasonably happy. On the other hand, even if everything else is perfect, but the vocals are a touch off, it’s going to stick out like a sore thumb and you might lose the gig. Of course, we strive to get everything right — I’m just stressing the point that vocals are the one element you have to absolutely nail.
My approach to vocals changes based on genre, based on what sound I want — and I experiment with plugins and gear all the time. But there are some plugins I keep coming back to that one would see in a lot of my mixes.
1. FabFilter Pro-DS
FabFilter Pro-DS is easily my go-to de-esser.
For a long time, I was actually automating sibilance by hand because I didn’t like the graininess that I got from all the de-essers I tried. FabFilter Pro-DS in wideband mode is as good as automating by hand.
The split band also sounds great and works well on taming harsh tones that can show up around 3 kHz, not just sibilant tones higher up.
2. SoundToys EchoBoy
I spend an inordinate amount of time designing my ambiences, particularly on vocals. It’s not uncommon for me to have three to five delay throws that I automate between throughout a record. EchoBoy gives me the versatility to create a number of delays — from subtle ambience around the vocals to overt effects.
Vst plugins for audacity vocals autotune. I can do very tight delays for rap vocals, smeared “pa system” delays for rock vocals or highly diffused and spread delays for pop. Basically, I feel like I don’t have many limitations outside of my own creativity.
3. Klanghelm MJUC
I’ve tried a lot of different compressors for vocals, and while there’s a number of hardware pieces I love, I haven’t found too many in the software world. Oddly enough, the one that I keep coming back to again and again is the Klanghelm MJUC, which is one of the least expensive options available.
It’s super versatile with a great tone. It’s transparent enough to not distinctly change the tone, but just colored enough to give the voice a little extra magic. I can’t imagine a genre where this compressor wouldn’t work. And even if I were using some of my very expensive outboard, I would still likely be using this compressor as a parallel return.
4. Waves MV2
There’s usually a point in my mix where I love my vocal sound, but I just want it to be a touch fuller and a hair more forward. This is where Waves MV2 is my finisher. The Waves MV2 has a “low level” limiter which does something really interesting.
Instead of taking level above a threshold and attenuating, it takes level below the threshold and turns it up, keeping the louder signal exactly where it is. This effectively brings the vocal forward without actually turning it up louder. Even setting the low level up to just 2 or 3 adds a distinct amount of body to a vocal.
5. Avid Lo-Fi
Surprisingly enough, the stock Avid Lo-Fi plugin makes this list. Sometimes a vocal comes in too clean to really stand out in the right way. I use very subtle amounts of Lo-Fi to add grit to a vocal or shift the tone ever so slightly darker.
A very common use is for vocals that have a boxy low-mid. I want to get rid of the boxiness so I EQ out the cruddy low-mid, but then I’m missing body in the vocal. I use Lo-Fi to bring some of that body back. Sometimes a touch of distortion also helps the ear find a sound in the mix, so it’s also a good tool for getting a bit of presence in the vocal without having to make EQ changes.
6. Lexicon Vintage Plate
This one is close. I use a lot of different reverbs for a lot of different vocals for a lot of different reasons. And most commonly, I use my hardware Bricasti, but if I had to pick only one reverb to have for vocals in the box, I’d go with the Lexicon PCM Vintage Plate. With this reverb, I don’t believe I’d ever run into a vocal that I couldn’t make sound incredible.
7. Boz Digital Hoser XT
There’s a number of EQs I use on vocals. I use the FabFilter Pro-Q 2 for surgical stuff pretty often. I use Waves Q10 for background vocals very frequently. But if I had to pick one that I use more than anything else, it’s probably the Boz Digital Hoser XT. It’s punchy like SSL-style EQs, but a broader band like API-style EQs, which kind of makes it the perfect vocal EQ in my book.
If the vocal is recorded fairly flat, I love pulling in a bit of “larger than life” smile curve with the broad low and high shelf and then tightening things up by getting rid of any boxy or harsh tone using the two bell bands. It’s a process I do very often.
8. Wavesfactory Spectre
I have a lot of techniques for making a vocal sound rich in a certain frequency range. I will use parallel processing — either band-limited compression or saturation — that targets that range. It’s a bit of a process to set up and it’s a little tricky to dial things in just right. Getting a vocal to sound rich is even trickier when the vocal was not tracked in the best way possible. However, Wavesfactory Spectre has made this process much easier. Spectre works like an EQ but instead of boosting frequency content it boosts harmonic energy at a target frequency. This is exceptionally useful when it comes to getting vocals to sound full in the lower mids.
Turn the playback level very low with the entire mix going. Listen to the vocals. If they sound thin or diminished in any particular frequency range, grab Spectre. Set the “Mix” to 100%, and dial in just enough of that frequency range to make the vocals stand over the record. Then turn the “Mix” down to a lower percentage until the vocal seems to glue itself back into the track again. I find a little bit goes a long way. A dB or two boost at 30 to 50% is usually plenty. Experiment with the distortion algorithms — I find myself going to “Warm Tube” very often. And set the Quality to “Best.” Instant rich vocal.
Bonus: PSP B-Scanner
A lot of Pop and R&B vocals benefit from a bit of chorusing/modulation. It gives them some tonal movement, texture and a sense of spread. My favorite choice for this process is the PSP B-Scanner, and I don’t believe this is at all what PSP intended for the plugin. But damn if it doesn’t sound sexy tucked under a vocal 12dB down.
Now, I didn’t list this in the primary seven because I don’t believe this plugin would work well for Rap or Heavy Rock. I can’t exactly call this one a “favorite” for everything, but I had to at least mention it.
If I had nothing other than these plugins listed, I don’t believe I’d have any restriction in mixing any vocal, from Top 40 Pop to grimy Punk-Rock. I’d be happy as a pumpkin in a pumpkin patch, and I’m pretty sure that’s not even a real expression.
Mixing Vocals Tutorials
How to Creatively Deal with Comb Filtering on Vocals
Getting the vocals right in a mix is kind of everything. Even if everything else isn't perfect, if you nail the vocals, you're still doing ok and the artist will be reasonably happy. On the other hand, even if everything else is perfect, but the vocals are a touch off, it's going to stick out like a
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Another question our users often ask is “how to extract voice from songs ?”, “how can i make an acapella of this song” ? etc.
Vocal isolation is a black science, it’s the voodoo of audio processing… or just a good old spectral substraction !
The principle is basic, find a part of the song without the voice, and substract it from a part with the voice, so you are left with only the voice part. The ideal situation is where you have the normal song (voice + music) and an instrumental version of the same song.
The magic voice isolator plugin exists !! and it’s free.
Kn0ck0ut VST plugin is a free vocal isolation plugin, based on the spectral substracting principle. It takes two inputs : voice+instru on left and instru only on right and it performs a FFT processing for removing the instrumental part. A sort of acapella maker !
Here’s the VST plugin :
KnockOut VST
info + download
Now you can download the VST plugin and copy the dll in your VST folder.
How to isolate vocals / get the vocal out of the song :
Vst Plugin Vocal Harmonizer
If you have the normal song (vocal+instru) and the instumental version :
- 1. open Wavosaur
- 2. menu Files->Open and select the files to load (one song file + instrumental file)
- 3. if the files are stereo, for each file unselect left channel ( press the “1” key), select all (CTRL + A) and use menu -> Process -> Mute : this mutes the right channel
- 4. on the instrumental file, use menu->Process->Swap channels
- 5. use copy / cut / paste to select the part you want to “extract” and try to make the two files “in sync” the best you can (use zoom in in time & amplitude for more precision)
- 6. select all (CTRL + A) the instrumental part and copy (CTRL + C)
- 7. select all the normal part and use menu->Edit->Paste special-> Paste and mix
- 8. open VST rack, load KnockOut VST plugin, and open the plugin UI
- 9. use the “R input gain” to find the right balance between vocal isolation and overall quality : the more you increase the parameter, the more the vocal is isolated, but the effect is more drastic and you can clearly hear the artefacts of the spectral processing
if you don’t have an instrumental version, you can try to find a part in the song with no vocal, that is similar to the part with vocal.
here’s a test :
voice+instru on left & instru only on right:
https://blog.wavosaur.com/wp-content/uploads/2015/02/feel-the-beat.mp3
Vst Plugins Vocaloid
after the kn0ck0ut processing for isolating vocal:
https://blog.wavosaur.com/wp-content/uploads/2015/02/feel-the-beat-acapelized.mp3 Tapestop effect vst free.